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Quick Overview

Title - SBFG092014

Artist -
Sydney Blum

Type -

Availability: In stock


Title - SBFG092014

Artist -
Sydney Blum

Type -

Size -
18 x 17 x 17 in. (45.7 x 43.2 x 43.2 cm)

Medium -
Colored Synthetic Hair and Wire

About the piece

This series of sculptures, Fuzzy Geometry, works to define space within concentrated dimensions, creating a chaotically ordered and increasingly focused energy with an intrinsic symmetry. The forms are built with colored synthetic hair that is tightly wrapped with fine wire around heavier wire grid substructures and interior grids. Blum has restricted the forms to familiar geometric shapes where the forms within forms direct the eye back and forth, from outer to interior space, interior to exterior space – a contraction and expansion. The repetitive work of wrapping the hair gives Blum a sense of time standing still. The hair in its fuzziness softens the edges of the layers and confuses the eye by forcing it to focus and refocus, while the grid and the geometric shapes contain the disturbance and reinforce the boundary. This sets up a vibration both within the form and color range. The structure and repetition, and the need to focus and refocus lead to an immersion into the form. The layers create a fuzzy “betweenness” which is an elemental notion of fuzzy geometry. The exploration of this geometry uses an intuitive and casual logic that results in defining an awkward space, generating a discomfort where things wobble between too loose or too tight, asking how far the concept might be stretched before references are lost.

About the artist

Despite the implications of the word “fuzzy” the mathematics is constrained by a rigor and discipline of its own. Blum, however, is interested in the visual and physical playing out of the concept beyond the mathematical formula. She is interested in a broader definition of visual space–the visual play, the tactile components, the influence of color, boundaries, beginnings and endings, contraction and expansion, complexity and entropy. In sum, she is interested in the interplay between conceptual formalism and the intuitive experience of the artwork.

Additional Information


Kim-Foster Gallery

"Kim Foster opened her contemporary art gallery in 1994 in Soho and was among the first to migrate to the Chelsea art district where the the Kim Foster Gallery has occupied the ground floor space in the 529 West 20th Arts Building since 1998.

The gallery has a reputation for exhibiting thoughtful works that are intellectually challenging while maintaining a raw visual appeal. Although there is a great variety in the work of Kim Foster Gallery’s artists, there also is an elegance to her exhibitions that exemplifies the gallery’s aesthetic. That elegance permeates Foster’s affinity for obsessive and eccentric painting, sculpture and drawing built from an assemblage of often minutely constructed parts.

Kim Foster’s vision is focused on enabling her artists to explore and evolve in their extraordinarily different ways, but with remarkable coherence within the gallery’s aesthetic."
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